BFI reveals rediscovery of ‘milestone’ South, screened in 1959 and tackling then-brave themes of race and sexualityIt involves a dashing Polish army lieutenant exiled in the US deep south as civil war approaches and the question of who he really loves: the plantation owner’s angry niece, Miss Regina, or the tall, blond, rugged officer who arrives suddenly – a handsome man called Eric MacClure.The television play is heady, emotional stuff tackling issues of race as well as sexuality and that it was broadcast by ITV on a winter’s night 54 years ago is nothing short of remarkable. The BFI now believes the newly rediscovered production is the earliest known gay TV drama.South, adapted by Gerald Savory from an original play by Julien Green and screened on 24 November 1959, “is a milestone” in gay cultural history, said the BFI curator Simon McCallum.He added that its leading man, Peter Wyngarde, deserved particular praise. “I think you have to give Wyngarde a massive pat on the back in terms of the bravery in taking this role. There were quite bad reactions from some of the press.”They included this breezily offensive review from the Daily Sketch’s critic: “I do NOT see anything attractive in the agonies and ecstasies of a pervert, especially in close-up in my living room. This is not prudishness. There are some indecencies in life that are best left covered up.”To be fair, that was the prevailing attitude in Britain with homosexual acts between men still illegal, although the Wolfenden report in 1957 had recommended decriminalisation, something that would not happen until 1967.Its discovery has taken curators aback because the 1961 film Victim, with Dirk Bogarde as a barrister taking on blackmailers, is normally held up as the milestone for gay representation on film and TV. South, made by Granada, is two years before it.The film will be seen for the first time in a generation at the BFI’s 27th London lesbian and gay film festival on Saturday and Sunday. “For many years it just wasn’t known that this film existed other than to a few specialist researchers,” said McCallum. “We’re so glad to be able to show it at the festival because it’s part of all our heritage, really.”South holds up well to a contemporary viewer, exploring universal themes of alienation and otherness.
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